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"This is not Napster," says Harvey Weinstein, the movie mogul who heads the Weinstein Co., a MediaDefender client. "Online piracy has got to be stopped. The biggest spear in the neck of the pirates will be (a) being vigilant, (b) prosecuting, and (c) in a way, making fun of them, finding a way to say, 'That's not cool—that's anything but cool.' If you had people who the young people respect in this industry—Brad Pitt, George Clooney, Shia LaBeouf—if these guys did public service announcements that said, 'Don't steal, stealing's not cool,' I think you can go a long way toward stopping this." Weinstein says that if Democrats maintain control of Congress and gain the White House, he'll flex whatever political muscle he has acquired by being a major donor to achieve one thing: "Tougher, more stringent piracy laws." Does he see any use for P2P systems? "No."

Certainly, the few attempts that entertainment companies have made to accommodate downloaders have come across as halfhearted and have turned out dismally. Five major movie studios—Sony, MGM, Paramount, Warner Bros., and Universal—sank $150 million into a cumbersome film-downloading service called Movielink, rolled out in 2002. In August, they unloaded the unit to Blockbuster for $6.6 million, after concluding that few consumers had the patience to master a technology that didn't match the ease or quality of that being offered by the pirates. NBC and News Corp. are optimistic about Hulu, a site that offers new and archived TV fare, but the shows contain unskippable ads and can't be downloaded, a disadvantage in this era of DVRs and iPods. All this comes after years of the music industry's blundering around for solutions. "The music companies were put on earth to make the video companies seem like visionaries," says Michael Gartenberg, research director of analysis firm JupiterResearch.

So the entertainment business lives by the motto "If you can't join them, beat them." As with all wars, of course, escalation most benefits the arms merchants. In 2005, the music portal ArtistDirect purchased MediaDefender for $42.5 million, making Saaf and his remaining co-founder, Octavio Herrera, multimillionaires at age 29. To retain the two men, ArtistDirect paid them an additional $525,000 each and gave them easy-to-hit bonuses that would keep their income at about $700,000 a year each. And the clients continued to come, even though those inside MediaDefender could see they were losing ground.

From: Jonathan Perez [MediaDefender]
Sent: Friday, June 22, 2007 6:33 p.m.
To: [various MediaDefender employees]
Subject: Sicko Torrents Results 6/22

Attached are today's internal testing results for Sicko. Our overall effectiveness did improve. However, we still have no presence on Pirate bay which is a site they are likely watching as it was mentioned in the AdAge article they referenced.


>From: Ethan Noble [Weinstein Co.]
>Sent: Friday, June 15, 2007 10:41 a.m.
>To: [various Weinstein employees]
>Subject: Re: Piracy—this is a real
>problem
>
>This is AdAge's main story today and
>they talk about ThePirateBay.org
>having [Michael Moore's Sicko] so I
>did a quick search and there are a
>couple of copies of the film on there
>right now. MAYBE and HOPEFULLY
>those are our guy's 'fake' versions…

Before Ethan started toying with MediaDefender, the company's biggest problem was a tall 29-year-old Swede named Peter Sunde. He and two partners run the most popular file-sharing site, the Pirate Bay. It draws about 25 million unique visitors every month; dozens of new movies, games, and TV shows pop up each hour. The R.I.A.A.'s international counterpart refers to the site as the "international engine of illegal file sharing." The Pirate Bay doesn't host any of the actual content; it just lists it and supplies the BitTorrent files that let people connect with each other in order to share their libraries.

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